The 10 Best Songs by Ornette Coleman

Ornette Coleman, a pioneering force in the world of jazz, broke boundaries with his innovative approach to music, particularly through his development of “free jazz.” His compositions, marked by their unpredictability and emotive power, have influenced generations of musicians across genres. Here, we explore 10 of his most significant and groundbreaking songs that showcase the genius of Ornette Coleman.

1. Lonely Woman (1959)

From the album The Shape of Jazz to Come, “Lonely Woman” is one of Coleman’s most iconic compositions. The haunting melody, delivered by Coleman’s alto saxophone, floats over a rhythm section that defies traditional timekeeping. The piece’s emotional depth and structural freedom encapsulate the essence of Coleman’s revolutionary approach to jazz.

2. Free Jazz (1961)

The title track from the album Free Jazz: A Collective Improvisation is not just a song but a manifesto for an entire genre. This nearly 40-minute piece, featuring a double quartet, is a whirlwind of spontaneous improvisation. The interplay between the musicians, without predefined structure, redefined the possibilities of jazz, making “Free Jazz” a landmark in music history.

3. Peace (1959)

Also from The Shape of Jazz to Come, “Peace” is a contemplative and serene piece that contrasts with some of the more frenetic tracks on the album. The melody is simple yet profound, and the improvisations by Coleman and his bandmates exhibit a deep sense of empathy and communication. “Peace” stands as a testament to Coleman’s ability to convey complex emotions with simplicity and grace.

4. Congeniality (1959)

Another highlight from The Shape of Jazz to Come, “Congeniality” features an upbeat, playful melody that belies its sophisticated harmonic structure. The track exemplifies Coleman’s skill in creating music that is both accessible and intellectually challenging. The interactions between Coleman and trumpeter Don Cherry are particularly noteworthy, showcasing their extraordinary musical rapport.

5. Ramblin’ (1960)

From the album Change of the Century, “Ramblin’” is a bluesy number that reveals Coleman’s deep roots in traditional jazz and blues. The tune’s catchy, swinging rhythm provides a foundation for inventive solos from Coleman and his band. “Ramblin’” is a perfect example of how Coleman could merge avant-garde ideas with more familiar musical forms.

6. The Blessing (1958)

Featured on the album Something Else!!!!: The Music of Ornette Coleman, “The Blessing” is an early composition that hints at the direction Coleman’s music would soon take. The melody is straightforward, yet the harmonic choices are unconventional, creating a sense of unease and anticipation. This track illustrates Coleman’s burgeoning desire to push jazz beyond its traditional boundaries.

7. Focus on Sanity (1959)

From the album The Shape of Jazz to Come, “Focus on Sanity” is a dynamic and intense piece that showcases Coleman’s innovative approach to rhythm and harmony. The track begins with a frenetic, almost chaotic introduction, before settling into a more structured, but still unpredictable, groove. The interplay between Coleman and bassist Charlie Haden is particularly compelling, highlighting the deep musical connection that fueled Coleman’s explorations.

8. Una Muy Bonita (1959)

Also from Change of the Century, “Una Muy Bonita” is a lively, Latin-tinged composition that demonstrates Coleman’s ability to incorporate diverse musical influences into his work. The tune’s infectious rhythm and bright melody contrast with the more abstract improvisations that follow, creating a dynamic and engaging listening experience.

9. Turnaround (1965)

“Turnaround,” from the album At the Golden Circle Stockholm, Vol. 1, is a relatively short but potent track that showcases Coleman’s prowess in a live setting. The composition itself is simple, with a bluesy feel, but the real magic lies in the group’s improvisation. Coleman’s alto saxophone soars with energy and creativity, while the rhythm section drives the music forward with relentless intensity.

10. Dancing in Your Head (1977)

From the album Dancing in Your Head, this track marks a later period in Coleman’s career, where he delved into what he called “harmolodics”—a theory that abandoned traditional harmony in favor of a more fluid, egalitarian approach to melody and rhythm. “Dancing in Your Head” is a rhythmic, almost hypnotic piece that incorporates elements of funk and world music, demonstrating Coleman’s continued evolution as an artist.


Ornette Coleman’s contributions to jazz cannot be overstated. Through these ten tracks, one can trace the development of his revolutionary ideas and witness the profound impact he had on the world of music. Whether you’re a seasoned jazz aficionado or a newcomer to Coleman’s work, these songs provide a compelling entry point into the mind of a true musical genius.

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Ornette Coleman

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